Kind words about Chris's
latest (2005):
"Rich,
confusing and beautifully written in every line."
- Jonathan Lethem, author of Fortress
of Solitude and Motherless Brooklyn
"The
Grammar Architect is a book you could easily read twenty times
and still find new things to love about it. Eaton has written
one of the most original, funny, beautifully written, and thoroughly
complex novels of our young century."
- Mark Horan, Ghettoblaster Magazine,
NYC, August 2006
"May
well be the best Canadian novel of the year. This is the new."
- Alex Good,
Kitchener-Waterloo
Record, October 2005
"An
experiment worthy of Donald Barthelme at his most rascally...
evidence of Eaton's status as one of Canada's most assured new
writers."
- Brian Joseph Davis, Eye
Magazine, November 24, 2005
"Eaton
has brilliantly managed to capture Hardy's style of writing
in this book, with the long, beautifully-constructed sentences
and elaborate phrasings that made up so much of Hardy's work...
Gives one the feeling that this is an extremely-well-translated
work instead of something written according to traditional English
grammar rules. That is one of its strengths "
- January Magazine, January 2006
"...a
clever satirical gloss on the sort of grave-robbing and body-stitching
at the heart of derivative works such as A Thousand Acres
and The Hours."
- The Globe and Mail, January
2006
"...a
burst of intricate, lyrical, well-developed writing, of a quality
almost meriting the arrogant back-cover assertion that this
novel is "like a pop culture Gabriel Garcia Marquez's work."
...a distinctive literary voice emerges... "
- Waterloo Imprint, January 2006
"...like
being deluged by a tidal wave of words... Eaton is a sincere
poet and each word is carefully chosen. "
- Here Magazine, January 2006
Buy one:
Available in any book store. Or
order either the inactivist
or The Grammar Architect
online at www.insomniacpress.com
today.y.
e-mail: chrisrulesbigtime@sympatico.ca
Kind
words about Chris's first (2003):
Required
reading on two university courses!
"This
is an informal, visionary voice we don't hear enough of in CanLit..."
- Alex Good, www.goodreports.net,
February, 2004
"I not
only want more people to read it but also more people to write
books that are this interesting, fresh and enjoyable to read...
[It will] threaten your whole idea about what it means to "read"
because this book makes reading a two way street… This
could be in a list of my favourite books."
- Nick Lenco ,
nicklenco.com,
January, 2004
"Once I
started, I couldn't put it down--I was finished within twenty-four
hours of straight reading. I would recommend it to most people."
- The
Mount Allison Argosy,
November, 2003
"What
any writer is after in some primary, essential way is a texture
that is all his/her own. I hear Eaton’s texture in these
pages, strident, assertive, commanding the turf, engaging me at
once and sustaining the melody all the way. His style is constantly
in motion, his characters define themselves by the very style
that encloses them, and his larger subversive narrative voice
sets them up like a malevolent straight man reversing the equation."
- Lawrence Garber, author of Tales
from the Quarter
"Eaton’s
prose drives by quickly, propelling the reader forward into a
vivid VIPs-only advertising world."
- The
Mcgill Daily, November, 2003
"You will eat this book
up with a side order of GMO-fries as you rest your picket sign
at your feet."
- ihaveanidea,
November, 2003